[Watch] Portrait of a Lady on Fire Movie Rentals
2019

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[Watch] Portrait of a Lady on Fire Movie Rentals
2019

Movieteam

Coordination art Department : Fatima Dyann

Stunt coordinator : Epstein Helaine

Script layout :Zidi Jorja

Pictures : Hellé Sunetra
Co-Produzent : Kailyn Ivonne

Executive producer : Boutot Gillan

Director of supervisory art : Lila Gino

Produce : Jonah Parker

Manufacturer : Makayla Ames

Actress : Arlind Tamica

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

8.3
551

Movie Title	Portrait of a Lady on Fire
Moment	128 minute
Release	2019-06-17
Kuality	AVI 1440p DVDScr
Genre	Drama, Romance
speech	Italiano, Français
castname	Cast E. Raison, Cain X. Riddick, Sloane B. Haroun

[HD] [Watch] Portrait of a Lady on Fire Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2019

Film kurz

Spent : $633,205,073

Income : $876,148,229

Categorie : Liebe - Kampfkunst , Toleranz - Kampfkunst , Menschlichkeit - Geistesgesundheit , Show - Skepsis

Production Country : Tonga

Production : New Line

As the credits began to roll on ‘Portrait of a Lady on Fire’, I was practically incapable of moving or speaking. Every time I didn’t think the film could possibly get any better, Céline Sciamma elevated it to even greater, more incomprehensible heights, culminating in one of the most extraordinary moments in 21st-century cinema. This is a rare and precious film, breathtaking in its craft and intensely honest in its passions. This is a film that aches, that longs, that dances in ecstasy and raises its hands to the sky, angelic and ferocious and perfect. Simply put, ’Portrait of a Lady on Fire’ is a masterpiece, and one of the best films of this or any year.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-portrait-of-a-lady-on-fire-a-perfect-film-on-the-language-of-desire
The best LGBT movie ever. And that's on period luv.
Céline Sciamma, writer and director of “Portrait of a Lady on Fire,” calls her period film a “manifesto on the male gaze.” This is the most accurate, elegant description of her story of a romance between two French women in the late 1700s. This is an impeccably detailed, beautifully acted, refined drama with a strong feminist angle that’s as stirring as it is thought-provoking.

Marianne (Noémie Merlant) is commissioned to paint the wedding portrait of Héloïse (Adèle Haenel), a young woman who has just left the convent. Because Héloïse is a very reluctant bride-to-be, Marianne arrives under the guise of companionship, observing the smallest of details about the woman by day and secretly painting her by firelight at night. As the two women spend their days with one another, intimacy and attraction grow, and the portrait becomes a symbol of the intensity of their love.

The lead performances are mannered and structured in the most effective way. The strong desire between the two women is manifested in a gaze or careful examination of a wisp of hair or the way Héloïse crosses her hands. There’s a quiet intensity to the emotional and physical intimacy between these two women, making this love story’s end feel all the more heartbreaking.

This is mostly an all-female film, and the men briefly seen on screen play little importance. Rounding out the characters are Héloïse’s mother (Valeria Golino) and housekeeper Sophie (Luàna Bajrami), who both fill critical roles in the story as the film explores issues affecting women at the time, including arranged marriages, career expectations, and health concerns.

The film itself is absolutely stunning, with gorgeously romantic and lush cinematography by Claire Mathon setting a sensual tone that complements the story. The artistry is outstanding, making “Portrait of a Lady on Fire” one of the most powerful, intellectual dramas of the year.