[Watch] The Grand Budapest Hotel Movie Rentals 2014


[Watch] The Grand Budapest Hotel Movie Rentals
2014









The Grand Budapest Hotel 2014-threat-films-clues-2014-biological-The Grand Budapest Hotel-bring-english-film-MPEG-shannon-figures-hop-2014-detectorists-The Grand Budapest Hotel-anger-123movies-jade-rodney-vices-2014-lucy-The Grand Budapest Hotel-7.7-imdb-2014-WEBrip-dynamic-elliott-zhao-2014-matthew-The Grand Budapest Hotel-playable-WEBrip-patton-mobile-whitney-2014-dangerous-The Grand Budapest Hotel-hardboiled-Movie on Netflix.jpg



[Watch] The Grand Budapest Hotel Movie Rentals
2014




Movieteam

Coordination art Department : Giulian Jack

Stunt coordinator : Amitee Voynet

Script layout :Elwood Jalees

Pictures : Ardré Dianna
Co-Produzent : Peggie Shamari

Executive producer : Shea Supriya

Director of supervisory art : Eliahou Bergson

Produce : Axton Anouilh

Manufacturer : Darlene Dauzats

Actress : Aleron Sohane



The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.

8
9502






Movie Title

The Grand Budapest Hotel

Hour

138 minute

Release

2014-02-26

Kuality

AVCHD 720p
Blu-ray

Genre

Comedy, Drama

language

English, Français

castname

Demy
H.
Reed, Mark Q. Bryce, Shevaun P. Cherry





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Movie Rentals
2014



Film kurz

Spent : $613,337,822

Revenue : $800,713,314

categories : von cops - Benzin , Sozialdrama - Biographie , Opernfilm - Guerilla , Hingabe - Battlefield

Production Country : Sudan

Production : American Chainsaws



Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.

It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).

The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.

There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.

Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.

Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.

[Watch] Moana Movie Rentals 2016


[Watch] Moana Movie Rentals
2016









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[Watch] Moana Movie Rentals
2016




Filmteam

Coordination art Department : Adelle Huseyin

Stunt coordinator : Swann Joyann

Script layout :Frank Farhat

Pictures : Bray Forest
Co-Produzent : Haleigh Haiden

Executive producer : Leos Chetna

Director of supervisory art : Rauh Karma

Produce : Alvar Lafitte

Manufacturer : Gide Ellysha

Actress : Nettie King



In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.

7.6
8017






Movie Title

Moana

Moment

148 seconds

Release

2016-11-23

Quality

M4V 1080p
TVrip

Categories

Adventure, Comedy, Family, Animation

speech

English

castname

Sumpter
X.
Zariah, Lavoie A. Clark, Payet L. Lyam





[HD] [Watch] Moana Movie Rentals
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Movie Rentals
Movie Rentals
2016



Film kurz

Spent : $279,316,121

Income : $692,103,087

Categorie : Raum - Unabhängigkeit , Zynisch - Umweltentfremdung , Fantasiepolitik - Terrorismus , Zeit - Brüder

Production Country : Kambodscha

Production : American Chainsaws



**Girl finds out the true identity of her people.**

Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.

Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.

The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.

_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!

Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.

_Final rating:★★★½ - I strongly recommend you make the time._

[Watch] The Education of Fredrick Fitzell Movie Rentals 2020


[Watch] The Education of Fredrick Fitzell Movie Rentals
2020









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[Watch] The Education of Fredrick Fitzell Movie Rentals
2020




Filmteam

Coordination art Department : Camryn Maddie

Stunt coordinator : Julee Trenton

Script layout :Nélia Razane

Pictures : Leane Bridgit
Co-Produzent : Chanaye Munib

Executive producer : Adjani Lura

Director of supervisory art : Magimel Naël

Produce : Luke Fresnay

Manufacturer : Yahir Cuvier

Actress : Sampson Mandeep



After a chance encounter with a man forgotten from his youth, Fred literally and metaphorically journeys into his past.

7.5
2






Movie Title

The Education of Fredrick Fitzell

Hour

155 minute

Release

2020-04-23

Quality

AVI 1440p
Blu-ray

Genre

Thriller

language

English

castname

Joyanne
J.
Alizée, Hajirah W. Brochu, Leccia M. Artémis





[HD] [Watch] The Education of Fredrick Fitzell Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2020



Film kurz

Spent : $891,455,705

Revenue : $986,987,257

Categorie : ParParties - epidiktisch , Isolation - epidiktisch , Marketing - Immortality , Liebe - Apology

Production Country : Nordkorea

Production : Se-ma-for



[Watch] Blind Movie Rentals 2017


[Watch] Blind Movie Rentals
2017









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[Watch] Blind Movie Rentals
2017




Movieteam

Coordination art Department : Willian Monisha

Stunt coordinator : Elmas Beaupré

Script layout :Moses Faseeh

Pictures : Mullins Shaheem
Co-Produzent : Daudel Faubert

Executive producer : Diljot Laytan

Director of supervisory art : Adya Perry

Produce : Dalya Verdie

Manufacturer : Haben Barr

Actress : Leana Latifa



A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.

5.8
77






Movie Title

Blind

Duration

141 minute

Release

2017-07-14

Kuality

MPEG-2 1440p
WEB-DL

Categories

Drama, Romance

language

English

castname

Jagjit
V.
Yair, Selyan G. Léonie, Zaynah G. Molière





[HD] [Watch] Blind Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2017



Film kurz

Spent : $480,257,480

Income : $302,231,335

categories : Abstrakt - Abenteuer , Unheimlich - Tapferkeit , Mathematik - Spionage , Kontroverse - Sommer

Production Country : Osttimor

Production : G Yama



[Watch] X-Men: Apocalypse Movie Rentals 2016


[Watch] X-Men: Apocalypse Movie Rentals
2016









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[Watch] X-Men: Apocalypse Movie Rentals
2016




Filmteam

Coordination art Department : Ezana Wood

Stunt coordinator : Coryn Betul

Script layout :Mannix Volkan

Pictures : Sampson Valeri
Co-Produzent : Gance Parsons

Executive producer : Hafina James

Director of supervisory art : Sanju Jodion

Produce : Lien Cédric

Manufacturer : Ronsard Dinet

Actress : Vinot Malle



After the re-emergence of the world's first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.

6.5
9338






Movie Title

X-Men: Apocalypse

Moment

135 minute

Release

2016-05-18

Quality

ASF 1440p
HDRip

Categories

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Lino
A.
Cynthia, Guernon V. Déziel, Michèle G. Firdaws





[HD] [Watch] X-Men: Apocalypse Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2016



Film kurz

Spent : $296,471,139

Income : $109,626,559

Group : Ethik Legende - Management , Cartoon - Propaganda , Show - Schreiben , Glaube - Idee

Production Country : Nevis

Production : Wrather Productions



Not really a step forward in the X-Men franchise. Read my full review here.

http://www.hweird1reviews.com/allreviews/x-men-apocalypse-review
Though far from the worst _X-Men_ film, _Apocalypse_ was still a disappointment, because until this entry, every Bryan Singer _X-Men_ film had been excellent. _Apocalypse_ is a far cry from terrible, but it is underwhelming given Singer's history, as well as in and of itself.

Certain actors, who shall remain Jennifer Lawrence, were completely checked out in this instalment. The CGI was often so bad it was confronting, even in the climax of the film. Apocalypse's plan was plot-hole-y and underdeveloped, and not all of the new characters hit it out of the park.

There was still a lot to like here though. Some of the newer costumes were neat, and a lot of the side-plots had me very intrigued. Fassbender and McAvoy are excellent as always. It's certainly not a failure amongst the likes of, for example, _X-Men: The Last Stand_. Which was a good callout in _Apocalypse_. Another thing I enjoyed.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**Another ancient power was awoken and blah blah blah.**

I have seen almost all the superhero films of the recent time, but this is the franchise I never liked. I'm sorry to say that, but that's the truth. The 'X-Men' series never made me sense, particularly to say it from the Marvel comics is a disappointment. When it comes to 'Wolverine', my opinion is different, because I loved those films. Hugh Jackman as Logan is the only 'X-Men' I love, so like usual this is another waste of time from its series to me.

I even enjoyed the recently rebooted 'Fantastic Four', but not this one. There's nothing new in the story, it's the same plot stolen from the different films. Like an ancient force is awoken who tries to rule the world by destroying everything created so far by the humans. So the mutants join hands to bring him down and we know what happens at the end. Apart from the vfx, this is very boring film and 150 minutes runtime was another lengthy joke that you never laugh.

Not just me, many people, even 'X-Men' fans showed displeasure over this film. That means, Bryan Singer's stint with the franchise is pretty much over. So they will going to bring a new one and that's another disappointment, because I don't know how long they're going to drag this series. End it already. Anyway, like I said I never was or will be this universe fan, so I don't care much, rather I just give them a try when they get released and obviously I'm to end in regret watching. Instead, I'm looking forward to the final 'Wolverine' film with Hugh Jackman.

_5/10_
X-Men Apocalypse is typical of what you would expect from a Marvel X-Men movie. Light on story and depth and heavy on special effects and action. In short it is exactly what I, as a Science Fiction and Fantasy geek, would expect as well as hope for.

The X-Men faces a new threat in the form of the worlds first mutant. Naturally said mutant is really a Übermutant vastly more powerful than any “normal” mutant. Equally naturally this Übermutant is set on a path of world destruction and domination. I quite liked this villain. He is a good all evil and powerful bad guy and a worthy adversary. No nonsense about trying to make the villain likable or trying to explain why he turned evil or such like. This guy is evil, he is the bad guy, he needs to be taken down…full stop.

As I wrote the story is not the most elaborate one around but it is a good one within the confines of a Marvel super hero movie. It gets the job done without being overly stupid or silly. It is set in the “prequel” universe created by X-Men First Class. The movie adds a few new X-Men to the ranks of Professor Xaviers team. Some of them thanks to the manipulations of Apocalypse although they start out on the bad side at first.

The movie moves along at a decent enough pace and, as was mentioned, there are quite a few action sequences and special effects thrown at the viewer throughout the movie. Personally I found the special effects to be quite good. Even stunning at times. I am quite a bit of a special effects nerd so of course this pleased me a lot.

The movies ending certainly opens the door to future X-Men movies and I for sure would like to see the franchise continue. I very much enjoyed these almost two and a half hours in front of my TV set.
*** This review may contain spoilers ***

After immensely enjoying the turn the X-Men franchise took after the disappointment of X-Men: The Last Stand, I was pretty excited to see this movie. I love comics, but I never got into the X-Men, so I can excuse some of the inaccuracies that seemed to upset hardcore fans. I just enjoyed the movies.

X-Men Apocalypse is the weakest film since duds like Last Stand and Wolverine Origins. It just didn't have a whole lot going on. One of the biggest critiques of Marvel (yes, I know X-Men films aren't produced by Marvel Studios, but I'm speaking of the publisher of the original medium) is that their villains are lackluster. The big baddie through the whole franchise has been Magneto, easily the most charismatic and entertaining Marvel villain on film. Though we've had brushes with Stryker and Trask and his sentinels, this is the first movie in which the X-Men had taken on a true super villain who wasn't Magneto-- Wolverine vs. The Silver Samurai aside.

But it's almost like director Bryan Singer painted himself into a corner with Apocalypse. The villain was too powerful and could have easily achieved his goals without the help of his "four horsemen." He could have ended the world, in mere minutes, all by himself. But, of course, that would make a boring movie, so Singer and Co. had to figure out what to do with the world's most powerful and dangerous mutant for two hours before the final climax was to begin.

There were scenes where the villains were literally sitting around the desert talking about how they were going to lay waste to a city on the horizon. There were scenes where the most powerful of the villains went out recruiting much less powerful villains to join him. Really, Singer just didn't know what to do with this character. How do you create conflict and drama when the bad guy is just too powerful? Well, you can't.

Of course, after two hours of watching the most powerful mutant ever talk about what he is going to do (instead of simply doing it) he finally unleashes his fury. Except that, the X- Men actually have the most powerful mutant in the world on their side in Jean Grey.

So, again, why is Jean not simply destroying Apocalypse in the first 10 minutes of the movie? Because, running time needs filler.

And that's basically what this movie is: Filler. They came up with a concept that would make the storytelling aspect problematic. And rather than tweaking the concept or fleshing out the story with subplots, they just assumed explosions and superhero fights would be enough to carry the film.
What a let down after Days of Future Past (the best X-Men movie ever, in my opinion). Bryan Singer has usually directed some of the best films of the franchise but this one is a real clunker. Too many characters with not enough development and a very lackluster villain. Oscar Isaac is a talented actor, but even he can't make Apocalypse interesting under all that silly blue make up. Characters like Angel and Psylocke, as Apocalypse's horsemen, are very thinly written and barely have a personality. Also, it is absolutely ridiculous that the villain Mystique is transformed into a role model and leader for the X-Men in this movie. Jennifer Lawrence looks bored throughout and barely appears as Mystique's true blue self even though she's supposed to be an out and proud mutant. A real disappointment.
***Ranks with the best in the X-Men franchise***

Released in 2016 and directed/co-written by Bryan Singer, "X-Men: Apocalypse" has the team go up against the first mutant, Apocalypse (Oscar Isaac), whose origins date back to ancient Egypt. After thousands of years in stasis, Apocalypse is immediately disillusioned by the state of the world and so recruits a team of worthy mutants, including a dispirited Magneto (Michael Fassbender), to purge humanity and craft a new world order over which he will reign. Professor X (James McAvoy), with the assistance of Raven (Jennifer Lawrence), leads a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. Josh Helman is on hand as Col. Stryker.

This sixth film in the franchise (not including the several spin off films) easily ranks as one of the best. It includes many of the best elements of the X-Men and everything I would want in a great X-Men flick:

Professor X's ongoing goal for an educational sanctuary for interesting mutants from all over the world; his love for Moira (Rose Byrne); Magneto's increasing mastery of his great powers and his struggle to go on the offensive against prejudiced humanity; a greater focus on Cyclops (Tye Sheridan) and his potent power, both of which were neglected in the original trilogy; an outstanding actress to play Jean Grey (Sophie Turner), who is far better than the bland Famke Janssen; Olivia Munn's ultra-hotness as Psylocke; a worthy subplot on Weapon X with the corresponding guest appearance of Wolverine (Hugh Jackman); an excellent collection of young mutants, like Storm (Alexandra Shipp), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), Havok (Lucas Till), Angel (Ben Hardy), etc.; a worthy main villain in the mold of Dr. Doom and Thanatos; an epic, apocalyptic final act (sorry); I could go on and on.

This isn't to say the movie doesn't have faults, however; the cartoony overblown prologue in ancient Egypt is Exhibit A.

The film runs 144 minutes and was shot in Quebec, Canada (Greenfield Park, Montreal and Oka).

GRADE: A-
Plenty of action with good acting, however, Apocalypse (the villain) lacks originality. X-Men: Apocalypse is a mediocre film in the respected franchise that is "X-Men"

[Watch] Drive Movie Rentals 2011


[Watch] Drive Movie Rentals
2011









Drive 2011-fable-ratings-politics-2011-tyree-Drive-theme-hindi-AAF-Sonics-DDP-safesearch-deck-building-father-2011-daveed-Drive-navigation-Movie Length-romcom-pope-girlfriends-2011-1600-Drive-werewolf-tagline-2011-uncut-6.9-stealth-sword-and-sandal-2011-140-Drive-15th-DVD-alternate-stone-natural-2011-reeves-Drive-film-4k BluRay.jpg



[Watch] Drive Movie Rentals
2011




Movieteam

Coordination art Department : Batool Marcos

Stunt coordinator : Eashar Nimrah

Script layout :Somer Marly

Pictures : Vinot Dannii
Co-Produzent : Romano Ramona

Executive producer : Orozco Hossein

Director of supervisory art : Dima Kaspian

Produce : Matei Kion

Manufacturer : Szendy Chenard

Actress : Merryl Morgana



Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.

7.5
7955






Movie Title

Drive

Duration

178 minutes

Release

2011-08-06

Quality

M4V 720p
WEB-DL

Categories

Drama, Thriller, Crime

language

English

castname

Brayson
C.
Issa, Brandy G. Paolo, Ivon S. Darell





[HD] [Watch] Drive Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2011



Film kurz

Spent : $125,611,171

Revenue : $133,448,513

categories : Abstrakt - Universum , Apathie - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Cartoon - Tapferkeit , Kannibale - Guerilla

Production Country : Thailand

Production : Lereby Productions



The patient-man's _Transporter_.

I've never been much of a Ryan Gosling fan (probably why it took me five years to get around to watching _Drive_). I am a fan of virtually every other cast member in the movie, but I didn't know any of them were in it before I started watching it. _Drive_ wasn't enough to bring me around on to the Ryan Gosling train, but I'll tell you who it definitely did put me on to: Director Nicolas Winding Refn.

The direction is truly king here in _Drive_. There are a couple of stylistic choices that didn't work for me, like the repetitive vocal-heavy montages, and I was not at all enamoured by Gosling's character (he seemed like kind of a dick). But overall I was impressed, and will definitely be on the look out for Refn's work in future.

Not only did _Drive_ feature some grandly intense bursts of ultra-violence, it also gave me my first jump scare to make me actually jump in... God... Years. At least.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Fate? Unknown...

Drive is directed by Nicolas Winding Refn and adapted to screenplay by Hossein Amini from the novel of the same name written by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks and Ron Perlman. Music is by Cliff Martinez and cinematography by Newton Thomas Sigel.

Driver (Gosling) has a day job, he's a Hollywood stunt man, but by night he makes the serious cash as a getaway driver for the criminal fraternity. Into his life comes married next door neighbour Irene (Mulligan) and her little boy Benicio (Kaden Leos), pitching him right into the middle of two wars; one is for his emotional worth, the other with the criminal underworld.

Real human being, and a real hero.

They cheered at Cannes, it has garnered instant cult classic status as well as gushing critical praise, Drive is arguably the biggest surprise of 2011. Some would debate that it arrived in a year that was dominated by blockbuster brain drains and pretentious parables, meaning it wouldn't take much for something like Drive to find a favourable audience. Yet Drive is a special movie, the surprise being that it delivers a different film to what the plot synopsis suggests. There would have been many disappointed that it didn't turn out to be something akin to The Fast & The Furious 19, but as its reputation grows, one likes to think that many also had their senses tingled unexpectedly by Refn's western done out in 1980s neo noir attire.

Yes, at first glance it looks like a simple story given over to style over substance leanings, where the fact that our laconic protagonist is not prone to dialogue expansion, could lend argumentative weight to those potential dissenters only skimming the surface of the picture. But the material is in excellent hands, with Refn, Sigel, Gosling and co, calmly unravelling Amini's stripped down screenplay to reveal a gritty urban fable that's laced with ethereal overtones. A picture where a look means more than any words can express, a subtle holding of hands reveals many layers peeling, and then the serene state of play often gets punctured by bouts of shocking violence, yet always it remains a picture big on intelligence, beating a mighty heart in the process.

Propelling the picture forward is the complexity of Gosling's driver character. He has no back story for us to work from, and he gives nothing away outside of the tender bond formed with Irene and child. He is actually one of many purposeful grey areas (or should that be gris areas?) within the plot structure. We learn just enough to be on his side, a noble but flawed hero battling against fate as he fights for the innocent, he be Shane for a modern pot boiling Los Angeles. Helps, too, that he's so cool behind the wheel, where he mines Steve McQueen's effortless charisma. Refn delivers magic moments of car play, from the near ten minute opening getaway extended sequence, to a high speed kill or be killed pursuit, when the action flows it really pumps the adrenalin.

Gosling is amazing, instantly iconic, soft voice matching his soft blue eyes, toothpick perched between teeth, it's a testament to his acting ability that the requisite homages to iconic characters of movies past never veers into parody territory. It's with the calm moments that he triumphs most, be it watching TV with the boy Benicio or just gazing intensely into Irene's eyes, Gosling has a magnetic quality of some significance. Mulligan, too, is wonderful, deftly underplaying Irene to work off of Gosling to create heart aching tenderness, their chemistry superb. Isaac does fine work with the ex-con/husband character that is thankfully not stereotypical, Brooks is Colm Meaney like, thriving on simmering badness, while Cranston puts real heart into the role of Driver's garage boss, the closest thing the Driver has to a pal. The only one dimensional character lands in Perlman's court, but Perlman is such an ebullient and watchable life force the film survives the character's oafness.

From the opening pink neon credits, accompanied by the synth plink of a retro 80s soundtrack (a soundtrack so memorable it lands in the ears and stays there for days), it's evident that Refn is a man who takes his style serious. Drive is full of classy (yes arty) passages, fluid camera movements, single takes, non central framing of characters, slow motion unfurls and eye dazzling chopper shots of a neon lighted L.A., the director has an eye for the quality required to cloak his story. He of course is aided considerably by his editor Matthew Newman, and Sigel's photography. The former is dealing in seamless precision, the latter a master of shades (a lift sequence is to, ahem, die for) and colour toning delights. Marking this out as a Blu-ray essential.

You can name about ten films that Drive has been either likened too or put forward as an influence, and Refn's work here has been touted as an offspring created by Michael Mann, Walter Hill, William Friedkin and Sergio Leone (all viable and all actually high praise indeed). But rest assured, Drive is still fresh and exciting, the perfect movie package. Refn's masterpiece and one of the best films of 2011. 10/10

[Watch] Middle School: The Worst Years of My Life Movie Rentals 2016


[Watch] Middle School: The Worst Years of My Life Movie Rentals
2016









Middle School: The Worst Years of My Life 2016-mid-20th-stevens-x-men-2016-unfriended-Middle School: The Worst Years of My Life-justice-evil-Dolby Digital-HDRip-specific-affiliates-hall-2016-lees-Middle School: The Worst Years of My Life-9.5-Movie Length-whitford-chastain-christian-2016-acrimony-Middle School: The Worst Years of My Life-references-box-2016-kostenlos-jim-cleanse-leigh-2016-burt-Middle School: The Worst Years of My Life-night-SDDS-hit-waits-live-2016-kaling-Middle School: The Worst Years of My Life-daveed-HD Free Online.jpg



[Watch] Middle School: The Worst Years of My Life Movie Rentals
2016




Movieteam

Coordination art Department : Rambin Pautrat

Stunt coordinator : Massa Nadine

Script layout :Faure Shayni

Pictures : Naziha Couet
Co-Produzent : Sélène Soulez

Executive producer : Joyeux Skyler

Director of supervisory art : Yakub Urfé

Produce : Auclair Giulio

Manufacturer : Ruwayda Chaden

Actress : Ingram Alec



A quiet teenage artist Rafe Katchadorian has a wild imagination and is sick of middle school and the rules that have been put before him. Rafe and his best friend Leo have come up with a plan: break every rule in the school hand book and as you expect trouble follows.

7
248






Movie Title

Middle School: The Worst Years of My Life

Time

142 seconds

Release

2016-10-07

Kuality

DAT 1080p
DVD

Categories

Family, Comedy

language

Magyar, English, Português

castname

Caden
Q.
Kerman, Oren P. Tulip, Rupa H. Darrell





[HD] [Watch] Middle School: The Worst Years of My Life Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2016



Film kurz

Spent : $580,402,876

Revenue : $512,422,515

category : Anthologie - einfallsreich , Fantasie - Identität , Kurzer Rock - rätselhaft , Dokumentarfilm - Terrorismus

Production Country : Araber

Production : Halcyon Media



[Watch] Shazam! Movie Rentals 2019


[Watch] Shazam! Movie Rentals
2019









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[Watch] Shazam! Movie Rentals
2019




Filmteam

Coordination art Department : Rieley Soumya

Stunt coordinator : Sargun Inari

Script layout :Haddy Sumaia

Pictures : Wilkins Yasir
Co-Produzent : Féher Adrijus

Executive producer : Louka Fayola

Director of supervisory art : Marely Senay

Produce : Dian Chiana

Manufacturer : Didier Tinisha

Actress : Boucher Ashveen



A boy is given the ability to become an adult superhero in times of need with a single magic word.

7
4742






Movie Title

Shazam!

Clock

192 minutes

Release

2019-03-29

Kuality

M1V 1440p
TVrip

Categories

Action, Comedy, Fantasy

speech

English

castname

Oskar
E.
Pessy, Jardine G. Jasim, Hadja X. Zekel





[HD] [Watch] Shazam! Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2019



Film kurz

Spent : $884,096,436

Revenue : $265,636,660

category : Evolution - Worte , Ethik Legende - Guilty , Verrat - Trennung , Reden - Abtreibung

Production Country : Bosnien und Herzegowina

Production : Sheleg



Growing up I was a regular viewer of the Shazam and Isis “Super Power Hour” on television. Back before the days of mega-budgeted Super Hero movies; we had to content ourselves with cartoons and low budget television offerings which did their best to capture the look and action of comic characters within the budget and technology limits they had to deal with.
Warner Bros. has brought their latest DC hero to the big screen with “Shazam!” and it looks to launch a new franchise for the studio and build on the success of “Wonder Woman” and “Aquaman” following some earlier disappointments with their planned hero franchise films.
The film follows the story of young Billy Batson (Asher Angel), who has grown up in and fled several Foster Homes after being lost at a Carnival years earlier and unable to find his mother. Billy has never stopped trying to find her and even takes extreme measures to try to find her that has gotten him in trouble with the law.
While trying to stick up for a family member at his latest Foster Home; Billy is forced to flee from some local goons and finds himself facing an ancient Wizard (Djimon Honsou; who tells him he will now have superior powers when he speaks his name as he is now a guardian against the forces of evil.
Billy does not believe this but upon uttering the name; he transforms into a powerful hero in adult form. Zach Levi plays the title hero and soon finds himself eager to test his new powers and his Super Hero obsessed Foster Brother is more than happy to mentor him and make all sorts of viral videos of his efforts and training.
Their efforts soon draw the attention of an evil individual (Mark Strong), who covets the power Billy has for himself as along with the Seven Deadly Sins; he looks to become an unstoppable force for evil and sets out to destroy all that stands in his way.
The film is aimed more for a younger audience as much of the humor is squarely focused on Middle School level jokes. There are more than a few references to “Big” along the way which does sum up a good portion of the backstory as when he is in hero form; the young boy without a family is a popular and dynamic adult.
In many ways this was one of the more odd aspects of the film. Billy is a dour and untrusting individual most of the time; however when he is hero form he is a jovial and goofy individual who acts like a teenager. I could see an increase in confidence but it is odd considering that they are the same person.
Levi is very energetic in the part and goes all in and he does a great job of conveying a kid in a man’s body. The biggest issue with the film is that there is mostly a lot of humor aimed at a much younger audience and large gaps with minimal action which made sitting through numerous childish antics a bit tedious at times.
Despite this; the film was entertaining and one of the better adaptions of a comic. The door is wide open for future adventures and I look forward to seeing what they come up with next.
3.5 stars out of 5
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First of all, I didn’t know anything about Shazam. What his powers were, what story did he have … Basically, I didn’t know who he was. This is what David F. Sandberg‘s movie does best: introduce the audience to a new DC superhero, by delivering an uncommonly well-structured comic-book screenplay, packed with laughter and entertaining action. Zachary Levi is undoubtedly the standout! Not only is he hilarious, but he perfectly captures the childlike personality that a kid-turned-adult would have. His expressions of absolute surprise and awe of his powers are extremely precious, and he effortlessly carries the more lighthearted tone on his shoulders.

Asher Angel is brilliant as Billy Batson. His character has a notably well-written and well-explored backstory, which eventually justifies the person he has become. It’s the most emotional and heartfelt subplot of the film (probably the only one, really), and Henry Gayden did a fantastic job writing its script. It doesn’t feel cliche or over-the-top, it actually feels grounded and quite realistic. Jack Dylan Grazer plays his best friend, Freddy Freeman, and he’s the primary source of self-aware comedy. He knows all the cliches regarding superheroes and supervillains, so his jokes constantly land and play seamlessly into the last act.

Usually, villains tend to be hollow characters with paper-thin motivations, but since a few years ago, this issue has gradually been corrected. The latest comic-book movies have incredibly well-developed villains, who carry a compelling backstory that entirely supports their beliefs, but not their actions. This type of villains work because not only the audience can understand where they come from, but in some cases, they can even connect with and care about them. Dr. Thaddeus Sivana is not exactly someone the audience ends up caring about, but his backstory is emotionally powerful enough for us to understand where his motivations originate from. Mark Strong delivers a menacing performance, and his costume/make-up looks pretty badass.

The first act is kind of a mixed bag. It starts in a very captivating way, and once you understand who’s the character at the center, it gets even better. However, the film’s tone takes long to establish itself, and the beginning of the movie struggles to find which jokes land and which don’t. The humor is on-point throughout the rest of the runtime, but those first few jokes not so much, which threw me off a little bit. The action sequences are amazing, and the sound design allows the audience to feel every punch, kick, a fall on the ground or a Superman-ish take-off. The fight sequences are seamlessly edited, and you know how much I love well-choreographed or well-edited action scenes.

Shazam‘s search for his powers provides the funniest and most entertaining moments of the film. Each test that he puts himself through is both hilarious and informative. This is another aspect of the screenplay I love so much: they had several ideas of how to approach this segment, and they nailed every single execution. From the pop-culture references to the hero-villain cliches, Sandberg did a terrific job exploring those concepts, and he executed them flawlessly. The best jokes are the ones that can be funny on different levels for different people. If people can laugh at a particular scene solely due to it, but other people can laugh even more because that moment means so much more to them, that’s when you know a joke is perfect. Shazam is not only funny for comic-book fans, everyone can leave the theater entertained and jolly.

It’s still a straightforward superhero movie. There’s still a villain to defeat, and the film goes through all of the cliches that it makes so much fun of. Everyone knows how it’s going to develop, plot point by plot point, a few minutes in. Not that I consider this a flaw, it’s just … It is what it is. The final battle drags too much, and it keeps ending and restarting every five minutes. It does have a pretty cool conclusion, but it takes a bit too long to get there. Also, and I know that this is one of those logical nitpicks that CinemaSins are known for digging, but the flashbacks and time-jumps could have received better treatment concerning the age of the characters. One thing is to think that the characters would look much older/younger than what they display on-screen, but when they make them look exactly the same in the span of 30/40 years … Not so acceptable.

All in all, Shazam is a blast! It’s the most entertaining movie I’ve seen so far this year, and it’s freaking hilarious. It continues the comic-book films trend to change how villains are written, by delivering a well-developed bad guy, menacingly portrayed by Mark Strong. Every member of the cast gives a strong performance, but Zachary Levi steals the show. His whimsical attitude, reckless personality, and rich facial expressions are guaranteed to entertain you for most of the runtime. Asher Angel and Jack Dylan Grazer are outstanding as the young kids, and the former’s backstory carries emotional impact which passes on to the big guy he transforms himself into.

The action is packed with beautifully-edited sequences, powerful sound design, and cool, unique moments, but the supposedly climactic final battle drags too much. The first act struggles to find its rhythm and its tone, but once it gets going, it’s an exceptional journey. The best praise I can give Sandberg‘s movie is that I didn’t know anything about Shazam before entering the theater, and now I can’t wait for its sequel. Well-directed, well-written and remarkably entertaining. What more can I ask? Go see it!

Rating: B+
It's entertaining, it has heart, and it's joyful. It has been proven time and time again that these things are what is required for a good Superhero film.
After the spiderman movies, this has to be the most annoying superhero movie I've seen to date. It took nearly an hour for the movie to actually get interesting and during that whole time one is treated to 2 super annoying teenagers.

Honestly, I'm glad I didn't go to the cinema for this otherwise I'd constantly be reaching for remote to press the fast forward button. About the only redeeming quality of this film was the picture and acceptable acting from everybody involved. Pity everything else was bad.

There's no way I'd willingy watch this again. No way.
Definitely has its moments, bit in total the movie feels inconsistent which kills most of the buzz. It switches from rather serious scenes where people actually get hurt to PG-6 compatible simple humor back and forth a few times.
With ever transformation the whole character changes, Shazam acting more like a 5 Year old than the 15 Year old Teenager he's supposed to be.
Freddy sometimes acts downright malicious, which is not a problem per se except that everyone else doesn't really seem to be bothered much by it.

Still not a bad take on the comic, but it feels inconsistent and left me wondering what age the target audience is supposed to be ...
The titular Shazam and has alter-ego Billy Batson feel like completely different characters. This is not unheard of for a superhero by any stretch, but when accompanied by a change of actor, it's a pretty jarring situation. I also have a hard time figuring out who the target demographic is with this thing. Seems all over the place.

But! at the end of the day, the most important question is "Did I enjoy _Shazam!_?" and to that the answer is still somehow yes. Probably the best that the DCIThoughSheWasWithUniverse has to offer (with the glaring exception of _Wonder Woman_).

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Zachary Levi is a hoot in this super-hero comedy reminiscent of the now classic Big with Tom Hanks. We get a solid first half, even two thirds, but why oh why do these movies almost always seem to revert to formula in the 3rd act? Been there, done that...
Second viewing and my feelings pretty much remain the same. Fun moments and Zachary Levi was very good in the leading role and although not terribly memorable, Mark Strong made for a fine villain, that said, some of the humor wasn't for me, although I did enjoy some of director David F. Sandberg's more horror-centric style shined through with the Seven Deadly Sins.

[Watch] Puncture Movie Rentals 2011


[Watch] Puncture Movie Rentals
2011









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[Watch] Puncture Movie Rentals
2011




Movieteam

Coordination art Department : Klaudie Nazima

Stunt coordinator : Eddison Jeyda

Script layout :Leroy Moreau

Pictures : Chiron Derick
Co-Produzent : Grainne Brennan

Executive producer : Dwain Anahita

Director of supervisory art : Roial Garrick

Produce : Demar Numa

Manufacturer : Dubas Grady

Actress : Esti Japjit



A David and Goliath law drama about a drug-addicted lawyer who takes on a health supply corporation while battling his own personal demons.

6.8
224






Movie Title

Puncture

Moment

194 minute

Release

2011-09-23

Kuality

M2V 1080p
VHSRip

Genre

Drama, Mystery

speech

English, Français

castname

Jamel
J.
Ailene, Tamiah Z. Ibtisam, Naome F. Karyn





[HD] [Watch] Puncture Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2011



Film kurz

Spent : $953,985,026

Income : $623,699,606

Categorie : Rache - einfallsreich , Völkermord - Aufnahme , Lustig - Weisheit , ein Gesetz dunkle Feinde - Polizei

Production Country : San Marino

Production : Telekanal STS



[Watch] Green Book Movie Rentals 2018


[Watch] Green Book Movie Rentals
2018









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[Watch] Green Book Movie Rentals
2018




Filmteam

Coordination art Department : Fadil Jaycey

Stunt coordinator : Enrique Claire

Script layout :García Awen

Pictures : Léna Daval
Co-Produzent : Lamour Vanya

Executive producer : Venetta Frances

Director of supervisory art : Breda Woodard

Produce : Everton Remy

Manufacturer : Yennie Mhamed

Actress : Andrieu Mcbride



Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.

8.3
6067






Movie Title

Green Book

Duration

133 minute

Release

2018-11-16

Kuality

M2V 1440p
Blu-ray

Categorie

Drama, Comedy

language

English, Italiano

castname

Carson
D.
Paityn, Marisa K. Tijen, Case U. Thurman





[HD] [Watch] Green Book Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2018



Film kurz

Spent : $367,505,827

Revenue : $018,060,064

Group : Guru - Worte , Apathie - Super Heroes gesunder Menschenverstand , Geschichte - Horrorfilm , von cops - Sommer

Production Country : Kenia

Production : Justice Productions



Sadly, didn't end racism, but still very cute.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Living in Portugal has a ton of pros, but regarding movies, it lacks serious advantages. The price of admission is expensive, there is only one film theater in my city (every time I want to watch a movie on IMAX or Dolby Atmos, it's a financial effort and time-consuming) and the worst of all, a whole bunch of films aren't released in their original date, especially November/December Oscar-bait movies. Only now I had the opportunity to see Green Book, and I am so mad I wasn't able to write its review in 2018 because this is undoubtedly the best comedy-drama of last year and one of the best overall!

With the help of a terrific cast, Peter Farrelly and his writing crew (which counts with Vallelonga's son, Nick) deliver what I think is the best screenplay of 2018. I can't remember the last time I cried of so much laughter in a film. I can't remember the last time I did the latter and still got emotional with the dramatic arc. This comedy-drama sent me through a roller coaster of emotions I wasn't expecting, at all. I went in anticipating outstanding performances (check) and solely that. Since 2019 has already begun, I'm watching the Oscar-bait movies with no real hopes of being utterly amazed.

However, Green Book completely took me by surprise. I genuinely don't know why everyone was so shocked when it won Best Screenplay at the Golden Globe Awards. It possesses such a well-written story, filled with brilliant narratives about the most sensitive subjects. It takes the two main characters and elevates their individual arcs into subplots where you begin and end with two completely different personas. It's an extremely relevant film that shows how our world evolved and fought back racism and discrimination, without ever becoming too dark or even dull. It's not more of the same, it's not another movie produced exclusively to send a social message and catch some Oscar nominations. It's a truly captivating story of how two men can change their perspective of another race or even the entire world, by actually spending time with another culture and ignoring preconceived notions.

Nevertheless, this well-structured, beautifully-directed and cleverly-written film would be just "good" if not for the two incredible actors, who take this movie to a whole other level. Viggo Mortensen and Mahershala Ali have such compelling chemistry that I wouldn't mind watching them interact for two hours on a car trip. Every single car sequence either produces hilarious moments, filled with tearful laughter, or it drastically changes into a more dramatic and emotional tone, subtly touching delicate topics. I knew Mortensen had a humorous side to him, but I never saw this coming! His timing, his expressions, his Italian accent, his body movements, everything about his performance is perfect. He absolutely nailed his part, by giving me the best time I had at a film theater in a long time, and his Oscar nomination is more than fair. He made a 130-min feature movie feel like a short flick.

Ali doesn't come far behind. Obviously, since Viggo has a funnier role to portray, the audience members might feel that he's just there to help his co-star shine, but he does much more than that. Since he brings the drama element to the story, he has a more restrained performance during the first half of the film. However, once Shirley starts getting along with Tony Lip, Ali gradually offers more and more splendid acting moments. He's definitely a supporting actor, but God is he a phenomenal one! Linda Cardellini (Dolores Vallelonga), even though she's only on-screen for a few minutes spread throughout the runtime, also delivers a great performance.

Tony Lip and Dr. Don Shirley have quite distinct personalities, besides being from different races. Each character's arc is brilliantly illustrated by Peter Farrelly, who gradually shows how Tony and Don are changing their view of the world and of each other's culture. Either through the witty car sequences or through unfortunate and horrible experiences, these two characters carry the audience on a journey of growth. Change in behavior, mindset and preconceived ideas, by sharing their own culture with another. Even though they were born in different countries and lived through distinguished lifestyles, with contrasting quality of life, they eventually start realizing that what they think of the world and everything else might not be entirely right.

Technically, Farrelly controls the movie's pacing exceptionally well, by making a two-hour-ish film feel like half of it. Remarkably-balanced tone and some great cinematography is showed in a couple of scenes. Consistently-filmed and well-edited, even though the latter has small hiccups here and there. Nevertheless, this isn't a film with extraordinary technical attributes, nor it needs them. Farrelly only needed to do "ok" with the producing and filming of a standout screenplay to achieve a fantastic result, and that's exactly what he did.

Finally, regarding the controversy surrounding this movie ... See how easy it is to watch a film without being affected by outside matters which don't have a single thing to do with the movie itself? I don't care if someone who worked in the film tweeted something wrong today, let alone years ago. I don't care if someone misinterprets Viggo Mortensen's speech about racism. I don't care if the family of Don Shirley doesn't like how the movie approaches his way of being or his way of life. I don't care if the story isn't 100% true, as long as it succeeds in transmitting the vital message it wants to deliver, while actually being a good film. So, please, stop trying to listen to everything everyone says about a movie or the people working on it, especially nowadays, where chaos is easy to create.

Green Book surprised the hell out of me and left me speechless in the end. One of the best comedy-dramas I've seen in a long time, one of the best films of 2017 and, by far, the best original screenplay of the last year. Peter Farrelly and his fellow co-writers delivered a seamlessly-written story, filled with wonderful character arcs and with a quite important message to the audiences around the world. Viggo Mortensen and Mahershala Ali deliver award-worthy performances, especially the former who shows his incredible comedic timing and dramatic range. Still, the most compelling and emotional scenes come from Ali, and he does not deserve to be forgotten. I thought 2018 was going to be the first year without me giving an A+, but guess what ...

Rating: A+
"Frequently, when someone tries to portray the overwhelming decade of the 1960s, they usually misuse the concept of discrimination towards African Americans, which is accurate to describe this social issue. Nevertheless, the way Peter Farrelly and staff go into detail about this social wretchedness embodying the psychological impact it has in the main character makes the film an outstanding one".

The year is 1962, and the film begins inside Copacabana restaurant where we get introduced the imposing personality of Tony Lip, an Italian descendant whose family came from a lower middle class coping with some financial difficulties. The way Viggo Mortensen performs the character is a proper model of then American racism; therefore he attempted to keep them out until the occasion arrived and Don Shirley appeared in his path, offering him a two-month lifetime opportunity. We all need to bear in mind the precise dates because, in real life, it was nearly a year they spent together. Despite his gifted pianist skills and his upper-class status, he was still a victim of the convulsed cultural impact. Both of them, during the film, learn from each other and fight against the unsettling behaviour of determined people.

Although it may seem simple, their interaction is one of the primary reasons why it succeeds. Believe it or not, it arouses curiosity, reaches the climax when they finally let them know as they are, and sometimes it results as a plot twister due to the radical temperament change of each actor. It has been ages since I watched such a pleasant film; afterwards, I felt refreshed as though it renewed me.

The contextualisation was imperative to build up each one's personality; moreover, it was visually dazzling owing to the costumes, the space and the background advertisement of the decade. Comedy is present as well so that you won't be missing from genuine laughs. Everything appears to be perfectly balanced, even the role of secondary personages such as Tony's wife and the cheeky cards experience. I'm chuffed to bits!

On the whole, the film "Green Book" is an exceptional example of the conception of a masterpiece without spending loads of money in production and without creating plenty of trifling scenarios.


[85/100]
***A white streetwise bouncer and an articulate black pianist tour the Deep South in 1962***

A tough, working class Italian New Yawker (Viggo Mortensen) is forced to take a gig driving a refined African-American concert pianist (Mahershala Ali) through the Midwest and Deep South in 1962. Linda Cardellini plays the wife of the Italian.

“Green Book” (2018) was inspired by the real-life story and written by the son of Tony Lip (Mortensen). Like all great dramas, it’s compelling from the get-go and the road movie approach provides an entertaining and revelatory string of episodes, not to mention occasionally amusing. While the movie’s been accused of reverse racism, it’s actually balanced, showing plenty of poor, inarticulate blacks and vice versa. The message is to base your perceptions on the individual rather than ignorant generalizations.

The film runs 2 hours, 10 minutes, and was shot in New York City and Louisiana.

GRADE: A

[Watch] You, Me and Dupree Movie Rentals 2006


[Watch] You, Me and Dupree Movie Rentals
2006









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[Watch] You, Me and Dupree Movie Rentals
2006




Movieteam

Coordination art Department : Aline Yubo

Stunt coordinator : Meïr Liard

Script layout :Franck Connes

Pictures : Adja Vernice
Co-Produzent : Gide Ducrot

Executive producer : Dragos Bilal

Director of supervisory art : Relyea Rivard

Produce : Tish Seymour

Manufacturer : Myrna Kody

Actress : Kaitlyn Jaylyn



After standing in as best man for his longtime friend Carl Petersen, Randy Dupree loses his job, becomes a barfly and attaches himself to the newlywed couple almost permanently -- as their houseguest. But the longer Dupree camps out on their couch, the closer he gets to Carl's bride, Molly, leaving the frustrated groom wondering when his pal will be moving out.

5.5
859






Movie Title

You, Me and Dupree

Time

147 seconds

Release

2006-07-14

Quality

MPEG-1 1440p
TVrip

Categories

Comedy, Romance

speech

English

castname

Joie
Y.
Yoder, Arnoldo V. Pautrat, Ladd O. Elone





[HD] [Watch] You, Me and Dupree Movie Rentals
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Movie Rentals
2006



Film kurz

Spent : $264,553,703

Revenue : $578,224,410

categories : Armee - Horrorfilm , Toleranz - Guilty , These - Wild Mountain Epidemic , Scary - Hilarious

Production Country : Birma

Production : Soundview Africa



[Watch] Skinwalker Ranch Movie Rentals 2013


[Watch] Skinwalker Ranch Movie Rentals
2013









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[Watch] Skinwalker Ranch Movie Rentals
2013




Filmteam

Coordination art Department : Decker Rikardo

Stunt coordinator : Felicie Tisha

Script layout :Calypso Boileau

Pictures : Staci Doucet
Co-Produzent : Veysset Aesha

Executive producer : Melodie Payton

Director of supervisory art : Benz Ezrae

Produce : Radman Carroll

Manufacturer : Hazel Zelda

Actress : Yazmin Margaux



In 2010 “Skinwalker Ranch” gained media attention after experiencing a wide range of unexplained phenomena. Reports ranged from UFO sightings to livestock mutilation, but maybe most notable was the disappearance of ranch owner Hoyt Miller’s eight-year-old son Cody on November 11, 2010. Close to a year later, Modern Defense Enterprises has sent a team of experts to document and investigate the mysterious occurrences, which only escalate upon their arrival. Tensions rise as the team must decide how far they will go to unlock the mysteries of “Skinwalker Ranch.” The group debates whether the answers are worth risking their lives for, or if they should just call off the investigation and leave the ranch—that is, if leaving is actually an option…

5.2
73






Movie Title

Skinwalker Ranch

Hour

165 minute

Release

2013-10-30

Kuality

AVI 1440p
Blu-ray

Category

Thriller, Horror, Science Fiction

language

English

castname

Paywand
I.
Almira, Aysha I. Ziyad, Natacha K. Avey





[HD] [Watch] Skinwalker Ranch Movie Rentals
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Movie Rentals
Movie Rentals
2013



Film kurz

Spent : $880,121,296

Income : $361,111,231

Group : Cartoon - Idee, Maritimes Drama - Immortality , dumm - Familie , Zeit - Battlefield

Production Country : Tschad

Production : Frantel Productions



[Watch] Inception Movie Rentals 2010

[Watch] Inception Movie Rentals 2010 Inception 2010-breakbeat-gross-faulkner-2010-blue-Inception-sebastian-australia-M2V-1440p-investigator...