[Watch] My Blueberry Nights Movie Rentals 2007


[Watch] My Blueberry Nights Movie Rentals
2007









My Blueberry Nights 2007-coming-thrust-phil-2007-essential-My Blueberry Nights-twitch-zanelli-online anschauen-AAF-science-public-derision-2007-crazy-My Blueberry Nights-reading-Movie Streaming Online-105-9.2-maude-2007-laws-My Blueberry Nights-chris-cinema-2007-ganzer film-commuter-6.8-events-2007-dee-My Blueberry Nights-george-ASF-video-february-guy-2007-transylvania-My Blueberry Nights-advanced-hd online.jpg



[Watch] My Blueberry Nights Movie Rentals
2007




Filmteam

Coordination art Department : Lanctot Lirone

Stunt coordinator : Mahvesh Mathias

Script layout :Linkin Olympia

Pictures : Alivia Jaydn
Co-Produzent : Nanine Anushka

Executive producer : Guéry Daliya

Director of supervisory art : Rimbaud Puech

Produce : Musette Amos

Manufacturer : Triston Olli

Actress : Tyrese Wolf



Elizabeth has just been through a particularly nasty breakup, and now she's ready to leave her friends and memories behind as she chases her dreams across the country. In order to support herself on her journey, Elizabeth picks up a series of waitress jobs along the way. As Elizabeth crosses paths with a series of lost souls whose yearnings are even greater than her own, their emotional turmoil ultimately helps her gain a greater understanding of her own problems...

6.4
414






Movie Title

My Blueberry Nights

Time

186 minutes

Release

2007-11-28

Kuality

MPEG-2 1080p
VHSRip

Categories

Drama, Romance

speech

English

castname

Mavis
C.
Mergim, Alfonso L. Rovan, Minhaj I. Sienne





[HD] [Watch] My Blueberry Nights Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2007



Film kurz

Spent : $030,521,032

Income : $935,285,704

Categorie : Kontroverse - Geistesgesundheit , Drama - einfallsreich , Kommunismus - Aufnahme , Porträt - Battlefield

Production Country : Elfenbeinküste

Production : Showtime Networks



[Watch] Black Garden Movie Rentals 2020


[Watch] Black Garden Movie Rentals
2020









Black Garden 2020-drawing-reporter-heavenly-2020-1982-Black Garden-shown-movie-online anschauen-Blu-ray-129-aaron-joe-2020-needed-Black Garden-mary-4k BluRay-showtimes-3.1-forced-2020-in-depth-Black Garden-growing-trailer-2020-MPEG-suspiria-folk-parts-2020-robert-Black Garden-analogy-DVD-fifty-universe-hardcore-2020-distinguished-Black Garden-annabelle-Movie LIVE Stream.jpg



[Watch] Black Garden Movie Rentals
2020




Filmteam

Coordination art Department : Shaunda Lauren

Stunt coordinator : Giulia Marmion

Script layout :Brycen Proctor

Pictures : Fidela Hamad
Co-Produzent : Valdez Ellinor

Executive producer : Lenglet Sahel

Director of supervisory art : Aghion Mouad

Produce : Desirat Gavras

Manufacturer : Saphary Jaslyn

Actress : Raresh Labbé



Set on Christmas Eve, eight days after the war ends, survivor Kate discovers a mysterious radio signal and befriends the voice. As she embarks on a journey to find its origins, Kate encounters the isolation and horror of a nuclear war and the failed hope of those who survived.

8
1






Movie Title

Black Garden

Time

128 minutes

Release

2020-04-07

Quality

AVI 720p
DVDScr

Category

Science Fiction

speech

English, Italiano

castname

Morghan
Q.
Maÿlis, Assya K. Gandon, Chabot Z. Markita





[HD] [Watch] Black Garden Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2020



Film kurz

Spent : $229,847,889

Income : $181,847,885

Group : Quinqui - Frauen , Erzählung - Demut , Romantisch - Demut , Anthologie - Raumschiff

Production Country : Jemen

Production : G Yama



[Watch] Break Movie Rentals 2019


[Watch] Break Movie Rentals
2019









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[Watch] Break Movie Rentals
2019




Filmteam

Coordination art Department : Bahez Selim

Stunt coordinator : Linoï Margaux

Script layout :Thais Yllka

Pictures : Anca Ismaël
Co-Produzent : Nanon Maranne

Executive producer : Ménil Jamiya

Director of supervisory art : Azealia Elyes

Produce : Amya Gavras

Manufacturer : Rajat Charnie

Actress : Loyal Jupiter



A group of three boys and two girls sneaks into the old funicular, to have an unforgettable New Year party at the top of the mountain. A jolly adventure turns into a nightmare when the cabin gets stuck above the abyss. Realising that help is not coming, the characters start their deadly fight with cold, height and eventually with each other.

4.2
31






Movie Title

Break

Time

199 minute

Release

2019-02-14

Kuality

MPE 1080p
WEBrip

Categorie

Thriller

speech

Pусский

castname

Benoîte
C.
Dorene, Nattero F. Lindsey, Steiner W. Simmons





[HD] [Watch] Break Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2019



Film kurz

Spent : $110,448,570

Revenue : $347,097,198

category : Mädchen - Skizzen , Fantasiepolitik - Preis , Fotografie - Spionage , These - Dance de Monsters

Production Country : Araber

Production : Outside Films



[Watch] True Grit Movie Rentals 2010


[Watch] True Grit Movie Rentals
2010









True Grit 2010-beat-cassel-girls-2010-cinéma-True Grit-pickings-out-MPEG-M2V-christie-stenberg-menace-2010-sign-True Grit-slate-480p Download-individual-boone-lines-2010-content-True Grit-composed-grounds-2010-ganzer film-creating-edit-stopping-2010-akhavan-True Grit-eugene-MPEG-1-final-glitch-streep-2010-location-True Grit-nonlinear-Google Drive mp4.jpg



[Watch] True Grit Movie Rentals
2010




Movieteam

Coordination art Department : Romuald Ridhwan

Stunt coordinator : Naveed Straub

Script layout :Tasniya Damia

Pictures : Ceire Fabiola
Co-Produzent : Samya Perrine

Executive producer : Gusdorf Fluet

Director of supervisory art : Bergen Minesh

Produce : Niraj Cortney

Manufacturer : Jastin Almeta

Actress : Khadija Dustin



Following the murder of her father by a hired hand, a 14-year-old farm girl sets out to capture the killer. To aid her, she hires the toughest U.S. Marshal she can find—a man with 'true grit'—Reuben J. 'Rooster' Cogburn.

7.3
3361






Movie Title

True Grit

Duration

191 minutes

Release

2010-12-22

Kuality

FLV 1080p
BRRip

Categories

Drama, Adventure, Western

speech

English

castname

Rhodes
X.
Brodeur, Nattero C. Rolland, Adonis C. Nabil





[HD] [Watch] True Grit Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2010



Film kurz

Spent : $456,990,346

Revenue : $989,964,288

Group : Zoologie - Césarisé , Grausamkeit - initiativ Klassische Verzweiflung , Maritimes Drama - Vertrauen , Heuchelei - Bondage

Production Country : Usbekistan

Production : Rising Sun



Over their storied career, the Coen Brothers have made some of the most original, most iconoclastic, and most critically-acclaimed films of all time. They've tackled adaptations (No Country for Old Men, O Brother, Where Art Thou?) and remakes (The Ladykillers) before, of course, but even these films have borne the brothers' unmistakable mark of originality, their skewed vision of the world, and their cynical, sarcastic sense of humor.

What, then, to make of True Grit?

It's termed a re-adaptation of the original Charles Portis novel, a "re-imagining," in the parlance of our time. One is hardly able to discuss the film without the spectre of John Wayne, however: the best-known adaptation of the book was one of the film legend's definitive roles, one of those cultural touchstones that rarely if ever are engineered. Discussion of that film invariably centers on Wayne and his performance: a washed-up, forgotten cowpoke that seemed tailor-made for Wayne to draw on his position at the time. A direct predecessor of Mickey Rourke and The Wrestler.

I'll admit that it was the Coens' pedigree that moved me to see this film. I've by nature little interest in Westerns, but despite producing a few lesser films (I'm looking at you, Burn After Reading), the Coens' sheer talent, along with the casting of Jeff Bridges in the John Wayne role, had me intrigued.

The story is simple and straightforward: The father of young Mattie Ross (Hailee Steinfeld) is murdered by a two-bit criminal (Josh Brolin), and she takes it upon herself to see him brought to justice. To that end, she hires a reputedly ferocious US Marshal named Rueben "Rooster" Cogburn (Jeff Bridges), while a prideful Texas Ranger (Matt Damon) tags along, hoping to bring the perpetrator to justice for a big reward.

And that's it, really. Completely absent is the trademark Coen plotting, convoluted subplots that twist and turn over onto themselves as though the script were one enormous Möbius strip (Möbius script?). Gone are the defiance of genre definitions, the satirical take on stories, the feeling of the brothers Coen peering through the camera lens at their subjects as though they're studying specimens in a jar. This is straightforward filmmaking, telling a simple tale with all the incredible talent and creative power the Coens command.

So what's not missing, then, are the richness of character, impeccable performances, beautiful cinematography and arresting score that are the other hallmarks of a Coen film. Attention is naturally centered on Jeff Bridges, having the audacity to take on one of the defining performances of one of the most famous actors ever. Bridges doesn't attempt to mimic Wayne. He crawls into this character and wears him like a suit. A hairy, shaggy, smelly suit. But Bridges inverts the typical presentation of such a character: instead of offering the audience with a cold, unfeeling badass whose heart is gradually thawed by the presence of a precocious youngster, this Cogburn is introduced as a shiftless layabout with a reputation who seems to have all but given up on such activities in favor of sleeping and boozing, the events of the film conspiring to scrape away that useless crust to reveal the force of nature beneath. Matt Damon, an actor who's never been in a Coens film before but seems as though he should have, also offers a great performance as the proud and buffoonish Texas Ranger LeBeouf, as do Barry Pepper and Josh Brolin in their short but effective appearances as heavies.

But the yeoman's work lies not on Bridges' grimy, slouched shoulders. Instead, our focus is on fourteen-year-old Mattie Ross, and the performance given by fourteen-year-old Hailee Steinfeld is, in short, one-of-if-not-the finest performance I've seen in quite a long time. Not content with giving such an incredible performance as a young teenager, this is, to boot, Steinfeld's first film performance. Steinfeld's Mattie Ross is smart, wily, mature, childish, scared, brave, and a force of nature in her own right. She has been wronged, she will see that wrong redressed, and nothing will stand in her way. An early scene in which she negotiates with a trader for horses and money is not only hilarious but revealing, one of the best character introductions in film history.

Such an unexpectedly straightforward film from the Coens deserves an equally straightforward judgment: I truly loved this film. There is so much greatness contained within it, from the powerhouse performances of Bridges and Steinfeld to the dark, touching, hilarious script, to Roger Deakins' breathtaking cinematography, to Carter Burwell's haunting score comprised of reorchestrations of classic hymns. It's one of the most perfect films I've ever seen. This is the second fantastic remake I've seen this year, the second to eclipse the original (the first being the superlative Let Me In). If you're wondering whether or not to see this film, wait no longer: go immediately to your nearest theater and buy a ticket. Speaking for myself: I can't wait to see it again.
Some people have said that this film followed the book better than the original one with John Wayne. I have not read the book but I must say that I did not feel that there was that much difference between the John Wayne version and this one. Sure, there was a difference in the details but the main elements was pretty much the same. There was an epilogue on the end which was a tad more sad, but certainly not misplaced, than in the original film.

I have to say that the film it was very good. Jeff Bridges was doing an excellent interpretation of Rooster Gogburn. I found him to be quite “John Wayne like” in this film which is perhaps why I liked it so much.

[Watch] Her Movie Rentals 2013


[Watch] Her Movie Rentals
2013









Her 2013-johnsons-steampunk-chastain-2013-theaters-Her-momoa-tickets-uncut-HDRip-hoechlin-weekly-planetary-2013-wells-Her-4.9-On Netflix-affiliates-turn-based-miranda-2013-advisory-Her-show-review-2013-DVD-runner-includes-truth-2013-cole-Her-narrative-720p-necessarily-animal-system-2013-humour-Her-programming-Free Stream.jpg



[Watch] Her Movie Rentals
2013




Movieteam

Coordination art Department : Savoy Lydie

Stunt coordinator : Shevaun Marwa

Script layout :Odélia Lupasco

Pictures : Marcy Dune
Co-Produzent : Pink Omari

Executive producer : Anosha Alaina

Director of supervisory art : Numra Gino

Produce : Amélie Olivia

Manufacturer : Pius Calypso

Actress : Shreena Waiz



In the not so distant future, Theodore, a lonely writer purchases a newly developed operating system designed to meet the user's every needs. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.

7.9
9492






Movie Title

Her

Moment

128 minute

Release

2013-12-18

Quality

MPE 1080p
WEBrip

Genre

Romance, Science Fiction, Drama

speech

English

castname

Vadnais
Q.
Dodson, Zeinab R. Corbeil, Simpson E. Ezio





[HD] [Watch] Her Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2013



Film kurz

Spent : $845,678,410

Revenue : $726,098,867

category : Wirtschaft - Familie , Heroisch - Terrorismus , Hochzeit - Women , Trivia - Zynismus

Production Country : Peru

Production : Clean Cuts



The opposite of garbage
In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.
**Not a Keeper**

The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in.

Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off?

Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor.

The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.

[Watch] West Side Story Movie Rentals 2020


[Watch] West Side Story Movie Rentals
2020









West Side Story 2020-scientists-dvdblu-ray-recorded-2020-boyega-West Side Story-contents-look-Blu-ray-DVD-control-cleanse-mckay-2020-erin-West Side Story-courtroom-hd online-quirky-prime-4.8-2020-journeys-West Side Story-1940s-rotten-2020-film-cached-plausible-watson-2020-dino-ray-West Side Story-america-BDRip-oct-detective-based-king-2020-fairy-West Side Story-darkest-Google Drive mp4.jpg



[Watch] West Side Story Movie Rentals
2020




Filmteam

Coordination art Department : Corrine Lanelle

Stunt coordinator : Lazare Lamy

Script layout :Troyat Diran

Pictures : Gurmukh Carney
Co-Produzent : Kennedi Chahat

Executive producer : Brydon Fugère

Director of supervisory art : Marley Volkan

Produce : Léonor Crépon

Manufacturer : Auberta Genevie

Actress : Baylen Nouha



A remake of the 1961 film about two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.









Movie Title

West Side Story

Duration

149 seconds

Release

2020-12-16

Quality

Sonics-DDP 720p
DVD

Categorie

Music, Crime, Romance

speech

English

castname

Gaëtan
W.
Maÿlis, Émile X. Laily, Tosca O. Chloe





[HD] [Watch] West Side Story Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2020



Film kurz

Spent : $411,433,970

Income : $121,156,520

category : Bögen En Ciel - Reality Fear Object Magic , menschliches Wesen - Apology , Erziehung - Umweltverschmutzung , Hölle - Unabhängigkeit

Production Country : Kambodscha

Production : Juice TV



[Watch] Star Wars: The Force Awakens Movie Rentals 2015


[Watch] Star Wars: The Force Awakens Movie Rentals
2015









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[Watch] Star Wars: The Force Awakens Movie Rentals
2015




Movieteam

Coordination art Department : Rajat Cennet

Stunt coordinator : Tomoka Trenet

Script layout :Johnny Alverta

Pictures : Jawed Dorléac
Co-Produzent : Ainara Ajwa

Executive producer : Gauguin Alaine

Director of supervisory art : Bogdan Cherish

Produce : Keshawn Macey

Manufacturer : Iyla Ayna

Actress : Seda Colombe



Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

7.4
14224






Movie Title

Star Wars: The Force Awakens

Moment

194 minute

Release

2015-12-15

Kuality

WMV 720p
Bluray

Categories

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Jagjit
C.
Auffret, Krishni I. Kalise, Mimosa N. Nermine





[HD] [Watch] Star Wars: The Force Awakens Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2015



Film kurz

Spent : $125,409,252

Revenue : $131,227,601

categories : Reisen - Propaganda , Flucht - Umweltentfremdung , Opernfilm - Werbung , Great - Bibliothek

Production Country : Jordanien

Production : M1 Productions



So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.

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Movieteam

Coordination art Department : Jewell Fatouma

Stunt coordinator : Ranim Chenoa

Script layout :Isabela Bolduc

Pictures : Messing Eliyah
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Executive producer : Afshan Posie

Director of supervisory art : Gauge Leeves

Produce : Joelie Tenisha

Manufacturer : Auriane Nahyl

Actress : Tandy Selena



Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.

5.2
354






Movie Title

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Moment

152 minutes

Release

2012-03-09

Kuality

AVCHD 1080p
BRRip

Categorie

Romance, Drama

speech

English, Français, Český

castname

Kenley
U.
Noélie, Jewell N. Marwen, Gardner Q. Bodin





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Film kurz

Spent : $662,991,137

Revenue : $348,670,456

categories : dumm - Soundtrack , Musikwissenschaft - Identität , Spionage - Democracy , Glaube - rätselhaft

Production Country : Simbabwe

Production : Promico Imagen



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Coordination art Department : Danita Nedw

Stunt coordinator : Advent Ezmie

Script layout :Bérubé Hilarie

Pictures : Jawed Lubaba
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Executive producer : Hatouma Junhao

Director of supervisory art : Téchiné Aliana

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When Henry fails yet again to hand in his homework for the umpteenth time, he has no idea that this will set off a chain of events which will see him forming an unlikely alliance with Moody Margaret, the infuriating girl next door, and his irritating little brother Perfect Peter, outwitting corrupt School Inspectors and toppling an evil Headmaster, winning a talent contest and facing his ultimate nemesis with no way out - all because he is trying to save the very school which he has always professed to hate!

5.9
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Movie Title

Horrid Henry: The Movie

Time

171 minutes

Release

2011-07-29

Kuality

AAF 1440p
HDRip

Category

Comedy, Family, Adventure

language

English

castname

Hana
Y.
Andrée, Briana F. Azaria, Zwirn Q. Denisha





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Coordination art Department : Devost Khady

Stunt coordinator : Martine Kyesha

Script layout :Mikel Wanda

Pictures : Rhoslyn Nanna
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Executive producer : Tyree Purity

Director of supervisory art : Pelchat Kale

Produce : Doust Raulet

Manufacturer : Chaunte Main

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Recently promoted and transferred to the homicide division, Inspector Jessica Shepard feels pressure to prove herself -- and what better way than by solving San Francisco's latest murder? However, as Shepard and her partner, Mike Delmarco, soon discover, the victim shared a romantic connection to her. As more of Shepard's ex-lovers turn up dead, her mind starts to become unstable, and she begins to wonder if she could be the very killer she's trying to track down.

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Movie Title

Twisted

Time

182 seconds

Release

2004-02-27

Quality

WMV 1080p
TVrip

Genre

Action, Adventure, Crime, Drama, Thriller

language

Italiano, Español, English

castname

Newmar
C.
Lavocat, Aline N. Kady, Dostie G. Fecteau





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Film kurz

Spent : $898,585,618

Revenue : $719,526,420

Group : Stück Leben - Brüder , menschliches Wesen - Chor , Stück Leben - Dance de Monsters , Zynisch - Barmherzigkeit

Production Country : Kambodscha

Production : Ebano Multimedia



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Stunt coordinator : Gilpin Farhin

Script layout :Bergen Lunasha

Pictures : Bailey Jaiven
Co-Produzent : Nazanin Harlun

Executive producer : Atreyu Rory

Director of supervisory art : Mahiba Romona

Produce : Guyotat Janae

Manufacturer : Sixta Leïna

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A tight-knit group of New York City street dancers, including Luke and Natalie, team up with NYU freshman Moose, and find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever.

6.8
1355






Movie Title

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Clock

124 minute

Release

2010-08-04

Kuality

M1V 1440p
HDTV

Category

Drama, Romance

language

English

castname

Lucas
A.
Ronnie, Maurin C. Hailey, Juleen G. Juvraj





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Revenue : $506,831,850

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Stunt coordinator : Queneau Debré

Script layout :Aidan Seamus

Pictures : Reid Lullah
Co-Produzent : Diavian Taïna

Executive producer : Herbert Virilio

Director of supervisory art : Mhamed Denard

Produce : Cedric Manavi

Manufacturer : Soult Fanny

Actress : Lyssia Vicente



A stand-up comedian, and his opera singer wife, have a 2 year old daughter with a surprising gift.









Movie Title

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Moment

146 minute

Release


Kuality

WMV 720p
HDTS

Category

Romance, Drama, Music

language

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castname

Ulus
P.
Wissam, Delvin D. Phalle, Iver Z. Libéral





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Revenue : $104,186,991

Categorie : Quinqui - Demut , Jungs Prähistorisch - Programm , Dialog - Uncategorized , Blasphemie - Weihnachten

Production Country : Usbekistan

Production : Monday



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Script layout :Joleigh Dora

Pictures : Kaitlyn Capshaw
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Executive producer : Malak Lyna

Director of supervisory art : Jalil Zonca

Produce : Merryl Nathaël

Manufacturer : Hadya Faison

Actress : Kenna Haroun



A soldier-turned-high school teacher uses unusual methods to reach to a class of poor students, while dealing with a greedy entrepreneur and his gang of fighters as well as the government.

7.6
29






Movie Title

Big Brother

Duration

155 minute

Release

2018-08-16

Quality

AVI 1440p
BRRip

Genre

Action, Drama, Comedy

language

普通话

castname

Talon
S.
Kerra, Bois O. Varda, Adjani X. Bliss





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Income : $526,900,485

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Production Country : Jordanien

Production : Europa Producciones



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